Sunday, December 13, 2015

FRAGILE IN A ROUGH WORLD: The Human Body




FRAGILE IN A ROUGH WORLD: The Human Body


by Wilhelmina S. Orozco


Since time immemorial, the human body has been the source of inspiration of artists. Great painters clothed, denuded and did all sorts of things to depict it in various poses in order to immortalize or idealize it. Others showed the human body again but the idea is irrelevant, no longer attuned to the social issues of the day. The body is there only to be an object for painting or art in general, not for making a statement. However in these so-called modern times, some have chosen to depict it in its most sordid states. The faces are angular almost beyond recognition, the bodies are contorted, and the dehumanization is complete when they are placed side by side with inanimate things to demean their value.



The Handmade Works by Steph Palallos jolted me to think, what is she trying to say about the human body? Why are the works – all of the clothes in flimsy white organdie? Why do they float in space, as if attracting the viewer “Come and wear me,” or “Come and join me and fly and float through space,” or even “I am ephemeral, touch me now?”



I like the exhibit because it shows the celebration of the human body through pieces of clothes, does not denigrate it but rather extols its beauty – whether short or long, whether fat or thin, does not really matter. Yes, indeed her works are beautiful, unique, something that should really be gazed at for hours and hours without tiring our eyes.



In the first place, the exhibit makes us think that the human body is such a beauty that it had inspired the artist to make not just one, but several clothes, in such state of airiness. The choice of organdie shows that she wants us to view the human body through the see-through textile and admire its beauty. The body is not there, just the clothes yet the exhibit still allows the viewer to imagine what the body could be like beneath them.



Secondly, she is telling us, the body is fragile, such that to touch it is to have a gentle heart and mind, a soul that can see through the innermost recesses of thoughts and feelings of the individual. It is fragile, she says. See how gross, how rough the world has become so that it is time to think, to change, to alter our environment and make it more caring of us, humans.



Let us float in time and space to imagine another world that could make the body thrive endlessly.



Against the stressful, time-consuming activities that oculd bring in the capital and profits, yet destroy the youthfulness, the magnificence and soul of the human body, then it is really time to show us another world where we could celebrate it with finesse, with care and love and sustain its life and beauty till the very end of the breath.



All artists I think crave for the divine, those elusive feelings that humanize yet could immortalize us – those feelings that should be shared with others to make the world truly for humans. Why because truly great artists find their inspiration from above. To partake of the world of the gods and goddesses is to acquire those qualities that sustain life, not kill nor violate it.



For display – the clothes have been designed to present the human body – yet in our imagination only. The bodies are not there but the feeling and idea that they inhabit those clothes persist. We could feel like holding them, even talking to them about the nicer things in life. We could imagine touching something soft and tender underneath those clothes.



Perhaps the artist is really saying, “We need to touch, not just talk; to feel, not just to move about. So many other things we could do as humans, for ourselves, for others and for each other. Yet give me space so I can still be free.”



Yet, I ask how come there are no clothes for babies, for children, for the people with disabilities? Is our world only for clothing bodies that are fully grown, in the normal natural way? Ah, but that is just a speculation. Maybe the artist had thought that piece of clothing with a wide skirt is for the pregnant mom who will be caring for another body once she delivers what is inside her.



And so, the artist has woven a world that is entirely her own – through clothes that could define our world and what it has become. “Stop and look at my clothes. Listen to whatI am trying to say. I may be here now but I could also be gone soon.”



Yes, the fragility of the cloth, also shows the ephemeral character of things in this world. We cannot guarantee that we would live for years and years and enjoy every moment. And so we must pause once in a while to savor beauty in our midst.



Handmade is more than an exhibit. It is a statement. Making the clothes float in space is the artist's idea of freedom. We must have freedom to conquer air, reclaim our space and show to the world that we are.









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