SAGIP BANSA
PRESENTS A TALE OF TWO 
 MOUNTAINS 
By Wilhelmina S. Orozco
How do we love our country? Through
speeches, writings, and standing up during the playing of the National Anthem?
How about through dance and music? 
Sagip Bansa, the cultural arm of the Democratic Party of the
Philippines (DPP) presented recently “A Tale of Two Mountains,” a dance musical
concert detailing the development of Philippine dances from the original Aeta
culture through Spanish eras. Held at the AFP Theatre, the presentation was
attended by supporters and officials of the Party who have been staunchly
keeping together all of its member-non-government organizations intact through
viable livelihood projects. 
The program is titled after two
mountains: first, the Pinatubo Mountain which erupted in 1991, and second, the
mountain of garbage, euphemistically called Smokey Mountain. Actually the
latter is the source of workforce of the Spartan Mining and Development
Corporation now operating at the foot of Mount Pinatubo .
The concert was held to launch
Sagip Bansa led by Baldomero Falcone. It featured the dancing Tondo youths from
Smokey  Mountain 
Actually the presentation – music
and dances – reminded me of those that were researched by National Artists for
Music Lucrecia Kasilag and for Dance, Lucrecia Urtula for the repertoire of
Bayanihan Dance Troupe in the hinterlands of our tribal groups up north and
down south. They were also joined by Isabella Santos, the costume designer. As
the two were academically-based in the 50’s and therefore immersed in what are
scholarly researches, they embarked on the research, the products from which
revealed excellence in methods and authenticity in terms of recreating on stage
our tribal groups’ dances. 
However, instead of a chronological
presentation of the dances the SM group inserted ethnic dances in between
Spanish jota dances which became jarring at times. However, on the whole the
presentation heightened nationalistic feelings among the audience who gave
rousing applause as the dances were truly Filipino – especially those depicting
collective celebrations in the barrios. 
One pop song, different from the
rest and with a modern beat stood out as the story of the urban poor. It told
of how the Pasig  River Pasig 
Actually I have seen this
theatrical technique first at a dance choreography by Agnes Locsin at the CCP
way back in the 90’s. Its recreation on stage is laudable as it had brought
home the idea of the beauty of the river flowing on stage. In the beginning the
cloths were white and blue but they turned black symbolically showing the
negative turnout of the river as it had been disrespected by the people. 
The Spartan Mining and Development
Corporation chaired by Louis Ramos,  sponsored the event. A very new company with a
strong commitment to corporate responsibility, the SMDC is now giving jobs to
the people from Smokey 
 Mountain 
“No one believed us,” Mr. Ramos
revealed. “ They thought we would be making money out of the miseries of the
people (in Zambales.) But in Sagip Bansa, the DPP – we really mean to serve the
poorest of the poor.”
He mentioned how the Payatas and Smokey  Mountain Mount Pinatubo  for the housing. 
“The houses will not be a dole-out.
The people will pay for them. Kaya nilang
bayaran kasi may trabaho na naghihintay sa kanila. (They can afford to pay
for the house because there is a job waiting for them) 
We can create jobs up to 50,000
jobs. Tamad na ang kikita ng P300 per
day. We purchase (magnetites) per
kilo from them. We reprocess them in our factory. Here is an opportunity (for
the people) to live decently and with dignity. In our lifetime, we could do
something for our people,” he further said. 
Mr. Ramos did not envision this
mining project at all. In fact he was about to retire before he started the
company. But all the things happening today is borne of faith, he emphasized.
“Our mining operation is the only one endorsed by environmental groups. We can
move mountains. Please continue praying for us. Because we need prayers.”
Mr. Falcone also said, “It’s about
time we show what we truly mean.” 
 
 




 
 
 
 
